by ifadmin | Jun 26, 2019
An instrument made by one single luthier from the beginning to finish: ideally done by the luthier who has good knowledge, massive experience in each step of making, so the maker can have total control from tone wood selection, arching, graduation, to the varnish....
by ifadmin | Jun 26, 2019
As violin making is a high complex process, that requires different skill sets to complete an instrument, a workshop setting becomes the solution in instrument making, to fulfill the availability purpose. It could be a team of individual makers, who take turns working...
by ifadmin | Jun 26, 2019
We use a combination of German, Spain, and USA made varnish, spirit and oil, or mix of both. In general the oil varnish takes much longer to dry, and can produce a richer, complex tone. Though both oil and spirit varnish come in different grade, a higher end spirit...
by ifadmin | Jun 26, 2019
Age, origin, and density defines the quality of tonewood: ideally well seasoned, with “desired” density is suitable instrument making. In general, the softer, lower density wood is more favoured for bass frequence, and vice versa. This is why we always go...
by ifadmin | Jun 26, 2019
We acquire tone wood directly from sources in Europe/East Europe, ranging from Russia, Germany, Italy, Swiss, and Bosnia. One very important process is to stock the tonewood and let it naturally, prior put into making. Minimum 8-10 yrs while the higher end model is...
